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For screenings contact here
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HEAR O, MAHATMA (Hear O, Great Soul)
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| 100 mins / English / EST / Hybrid - Fiction and Docu / 2024 / India |
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| You have used a surgical blade to highlight the plight of the humans crushed in the crossfire of caste and class. - Shrikant Prabhu |
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| The content is remarkable, weaving a powerful narrative that resonates deeply. - Navin Sunag, Fimmaker, UK |
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BUNNU K. ENDO MAYE (The Maya of Bunnu K. Endo)
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| 99 mins / Kannada / EST / Drama / 2019-20 / India |
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| A study of disorientation of neoliberalism as it turns to fascism. - Jyotsna Kapur, Prof. of Film Studies, Southern Illinois University, USA |
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| A throwback on the Brecht-Godard mode and a Bunuelesque take on the real and the dystopian illusory. - Monish Das, Filmmaker, India |
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HAAL-E-KANGAAL (THE BANKRUPTS)
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| 105 mins / Hindi / EST / 2015 / Drama / India |
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| It subtly cocks a snook at the intellectual insolvency of independent filmmaking in India. - Namrata Joshi, Film Critic, India |
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| A film born on the slow death of creativity, the intellectual insolvency in the indie art house Indian film circuit - Vishal Verma, Film Critic, India |
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PUTAANI PARTY (The Kid Gang)
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| 72 mins / Kannada / EST / Drama / 2009 / India |
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The mise-en-scene not only mirrors the languid pace of village life but also the slow revelations of how village politics works, increasing the sense of intrigue. - Batul Mukhtiar, Filmmaker, India.
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| By subversively challenging the ideologies of the adults, this Putaani Party shows faith that it is possible to change, and that the children are here to drive this change - Jayashree Rajagopalan, Children's Writer, India |
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SUDDHA (The Cleansing Rites)
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105 mins / Tulu / EST / Drama / 2005 / India |
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Best Indian Film, Osian Cinefan Festival of Asian & Arab Film Festival, New Delhi, 2005 |
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A sensitive, confidant film with good content. - Uma Da Cunha, Film Critic, India
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A rooted film, striking visual quality and a carefully laid sound track. - Girish Kasaravalli, Filmmaker, India |
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Simple film, amazing visual quality and a consistent sound ambience. - Monica DeLeeuw-Taylor, Critic, Microfilmmaker, USA |
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The film depicts the passage of time with great sensitivity. - Latika Padgaonkar, Film Critic, India
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Poetic, evocative and uncompromising style reflecting the moods of contemporary India. - Jury Citation, Indian Section, Osian Cinefan Festival of Asian and Arab Films |
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